Playboy

Playboy’s Miss May 1979 is on Antiques Road Show with her bunny outfit. It’s worth several thousand dollars. She didn’t have the knee socks. Though I didn’t remember the knee socks. Apparently my roommate didn’t pick up that issue. Or maybe all I read were the articles. Though knee socks are an article, actually. In fact, knee socks were about the only article. The parasol was an accessory.

The first time I ever dropped by Playboy Studios West to pick up press passes for the Playboy Jazz Festival the receptionist was this great old guy built like a retired master sergeant. Loud and a lotta laughs. Perfect. We had a long talk while I was waiting for some harried production assistant to show up with my passes. She rushed out, panicked, found my passes, and rushed back inside again. I said so long to the master sergeant and he said hold on and handed me a few copies of the magazine. They had stacks of them in the waiting area, the way your dental office has People and Sunset. Enjoy, he said. I held them tightly by my side, covers down, as I walked back to the car. Tossed them in the back seat. At home later I discovered they were the Czech, Dutch, Turkish and Japanese editions. The pictures were nice and very international, but since I don’t speak Czech, Dutch, Turkish or Japanese, I couldn’t read them for the articles. I can now say long walks on the beach in four languages, though.

Leave It to Beaver

What is the awkward age, asked the Beaver as I surfed past. I waited for his friend to answer. That’s when you start shooting up and your clothes don’t fit, he says. Sounds more like crack, I thought, marveling at how Beat-hip the dialogue was. I had always figured that was more a Dobey Gillis thing, Maynard G. Krebs out of his mind high, wigging out over Dizzy Gillespie. But here is Jerry Mathers, learning about heroin on the street. Channel surfing past a few minutes later he is asking Wally if he’s cuddly. I’m your brother, Wally yells, don’t ask me questions like that. I guess I had missed all this subtext as a kid. Maybe Ward really was hard on the Beaver last night.

beaver

 

My legacy

After a busy night out and then a late summer’s night writing session I managed to fall asleep on the hardwood floor watching an old Marlene Dietrich movie (she fit into her dress like most women fit into their epidermis) and woke up to The Flying Nun. Sally Fields, flailing about attached to a visible wire like the flying saucers in Plan 9 From Outer Space. I was utterly traumatized. God that show was stupid. I remember being a Roman Catholic child thinking that show was really stupid. I never asked the sisters what they thought. I looked up at the TV again and Sally Fields was flying and flailing and giggling. It held a sort of vast and limitless stupidity. Did it sink in as I slept? Will I be a giggling idiot all day? Or high as a kite? I hope not, I have things to do.

I think I slept through an hour of Gomer Pyle too. Golly. I remember watching that in elementary school and thinking it was stupid. It was. And then more childhood memories, with Jim Neighbors on the Mike Douglas Show, and me not understanding why Goober’s brother (cousin?) sang so funny. Rock Hudson never came into the picture. At that age I thought Liberace just liked frilly clothes. Then again so did America. They laughed and asked about his brother George.

There goes Sally Fields into the wind again, clutching her habit. Sometimes I hate TV.

Did I mention taking a leak at a restaurant as a piped in George Jones sang He Stopped Loving Her Today? Caught myself singing the chorus one handed. They hung a wreath upon her door. Those letters with the mushy parts underlined in red. The woman ruined him, he drank his life way. You can’t blame her for leaving him, though, the guy sounds like a nut. Still, I nearly cry every time I hear it. Even in a cramped restroom in Whittier. And I never would have remembered that later if I hadn’t written it down. Now it’s part of my legacy.

Thirty years ago

Thirty years ago. That’s Edwin Letcher and Edward Huerta of Moist and Meaty chatting up a rock star storm, though considering Edwin’s street garb I don’t think M&M were playing that night. Photo probably by Don Butler. Al’s Bar maybe?  I look like a bouncer. I wasn’t, but then I always looked like a bouncer. This was back when I invariably seemed to be the tallest, strongest, and gnarliest dude in a room full of ill fed bohemians and fucked up punk rockers. Pretty punkettes would ask me to walk them to their cars in the crackhead neighborhoods our hangs were always in.

That’s Dolph Lundgren’s jacket I have on. A friend was working a shoot and realized he had two matching jackets so she copped that one for me. I wore it to death. Then I switched to blazers. Before then I was strictly the flannel tied around the waist kinda guy, sort of the uniform of the day, though I believe only Mike Watt fans sport that fashion these days. Back then I could tie a long sleeved shirt around my waist.

Before then I used show up at the crazy clubs to watch berserk bands while wearing an outrageously hot pink shirt and telling people to fuck off. The chicks dug it but the dudes would back off, bewildered, a big giant scary guy who might hurt them in the queerest shirt they had ever seen. Punk rock, baby. Reagan was president, fuck the world.

Doubtless later the same night after this photo was snapped everyone piled into our little pad off of Sunset in Silverlake. We had loud crazy parties till nearly sun-up almost every weekend, people making a mad dash for the liquor stores before 2 a.m. and then coming to our place to wake up the neighbors. Thirty people crammed in a backyard bungalow, laughing and yelling and high as kites, the music–I had a hundreds of incredibly loud and/or weird records then–roaring incessantly. On a good weekend we had parties on both Friday and Saturday. I remember one weekend people leaping off the roof into the hedges. I have no idea why. After the people finally staggered home we’d screw loudly in whatever darkness remained. Oh, we were the perfect neighbors.

We threw hundreds of parties in our hosting career. Some spontaneous, some planned, none nice. I would so hate living now next to us then.

If I ever give up writing and turn to scanning, I have thousands of pictures from those days. There are ten photo albums–remember those?–waiting in analog silence above my record collection. Though they are just a couple arm lengths away, they seem a million miles from these quick and easy electrons I’m staring at now.

Brick, Edwin, Ed Huerta c. 1987

Edwin in his beloved green corduroy jacket with Dukie Flyswatter’s fake blood on it, Ed Huerta looking eerily like a stoned version of his current unstoned self, and me probably unsmiling because I had had a front tooth yanked and it made me look like a hockey player until they could replace it. The look did fit the jacket, though.

Rock’n’roll Ralphs

(2013)

We go to the Rock’n’roll Ralphs for the thrill.

We have our own Ralphs here in Silver Lake, but it’s all normal now. Silver Lake is all normal now, Silver Lake used to be Silverlake and edgy and new and leathery gay but that’s long gone, gone with the punks and the freaks and the vatos. It’s all rich people and hipsters with kids and beautiful single women. Ours is a nice Ralphs. There’s a couple Ralphs across the river in Glendale…there’s an Armenian Ralphs and an upscale Ralphs and between them an eerie underground Ralphs that always make me think of Beneath then Planet of the Apes. You enter the parking lot above ground and way in the corner there’s a winding driveway that leads you into the Stygian darkness below. Inside, though, it’s just a regular Ralphs.

But Rock’n’roll Ralphs is special. We always park on the roof and take the elevator down. That’s fun. Our Ralphs doesn’t have an elevator. And our Ralphs doesn’t have all these people either, these Hollywood types, who can’t even roll a shopping cart down a grocery aisle without looking like they’re trying to hustle something. There’s a lot of rock’n’roll types, hardened roadie looking guys with too much thinning hair and baskets full of beer and TV dinners. There’s Hollywood lifers, people who have obviously lived in Hollyweird their whole lives and have that sort of otherworldly jadedness that comes from too many nights and not enough days. There’s wackos that talk to themselves or each other and you think they might smell funny but they don’t really. There’s gorgeous starlets buying healthy little things and a bottle of white wine. There’s children with dad for the weekend picking things mom never lets them have. And there are celebrities who slip in under dressed and un-made up and try to pass as just another extra. Which works with me, as I can’t tell a celebrity from a ham sandwich.

This was Oscar nite, too, and just a couple blocks down the street from Rock’n’roll Ralphs the street was full of ham sandwiches. They come in big limousines and wave at the crowds and a zillion cameras flash. The women shimmer and the men don’t shave. I don’t know who almost any of them are, but the crowd does, and they ooh and ahh and scream and yell and hold on tightly to their autograph books. They take pictures from afar with their cell phones and post them on their Facebook pages. They cram together on the sidewalk, stomping all over stars of people who probably once walked that red carpet. Billy Barty’s there, and Valerie Bertinelli and Bing Crosby and Dane Clark whose face you’d recognize even if you can’t place the name. The Doors are there, and the Carpenters, and Zsa Zsa and Jean Harlow and Godzilla. This scene was made for Godzilla. This scene was made for Nathaniel West. He set the final act of the Day of the Locust right here, in front of Grauman’s, where the mob got ugly and out of hand and deadly. Not now. The fans are well behaved. No one gets drunk. No one gets tased. The stars wave, and the people wave back.

I did see a genuine Day of the Locust out there once. In this very place. We had just turned left off Orange onto Hollywood Blvd and into a phalanx of slow moving squad cars, lights flashing and utterly silent. They followed the saddest little Toyota you ever saw, running on fumes and four flat tires. The car rolled to a stop right there in front of the Chinese theater. It was the middle of summer and there were a zillion tourists and they couldn’t believe their luck. The line of cops couldn’t hold them back and they poured into the street like ants. The lady got out of the car exhausted and broken and laid down on the pavement as ordered. The cops rushed in and cuffed her before the crowd could get to her. They stuffed her into the back of a patrol car and took off. The remaining cops tried vainly to clear the street. Last thing I saw was Granny posing in front of the dead car. We headed east down Hollywood Boulevard, away from the crowds of tourists, till only locals walked the sidewalks and winos begged for change.

But that was then. The now was inside this Rock’n’roll Ralphs. I wheeled the cart up and down the aisles people-watching as my wife shopped. There were none of the glamorous starlets…they were all at Somebody’s watching the Oscars and dreaming and sniping. In fact there weren’t many movie looking people at all…this was the rock’n’roll side of Rock’n’roll Ralphs. These people didn’t go to Grammy parties, they worked them. They might look like hell here, rumpled and unshaven, but give then twenty minutes and they’re the sharpest bar tender you ever saw, smiling and cracking wise, shaking, not stirring, raking in big tips. I know this because there on the frozen food aisle two scruffy dudes were perusing the pizzas while their even scruffier buddy stared at his iPhone. Hey check this out, he said, they want me to tend bar at Seth McFarlane’s Oscar party. His friends hmmphed a cool, you like pepperoni or cheese? I knew right then that Seth McFarlane’s Oscar party was a big deal. No one would hmmmph a cool at something insignificant, not at Rock’n’roll Ralphs. Their mumbled cools said volumes. It meant movie stars, big tips, maybe even getting laid. Or an audition. Or both. It didn’t mean a score necessarily, but it did mean the possibility of a score, which is what the Hollywood hustle is all about. The score, the gig, a step up. It meant his buddies would be at home eating pizza and watching the Oscars while he was getting hit on by you’ll never believe who. It was a Hollywood moment, an Oscar moment, right there in the frozen food aisle at the Rock’n’roll Ralphs. This doesn’t happen at the Silver Lake Ralphs. It doesn’t happen at the underground Ralphs. It certainly doesn’t happen at a Von’s.

Not that I had a clue who Seth McFarlane was. No idea. A ham sandwich maybe. Somebody who scored. Someone who wasn’t tooling around a Ralphs on Oscar night like it was Disneyland. Today I find out he was the man. He hosted the damn thing. Some people liked him. Some hated him. Whatever. I imagine it was a hell of a party, crawling with ham sandwiches. And George Clooney. And Meryl Streep. No ham sandwich she.

(Our neighborhood Ralphs is now gone.)

Walmart

I keep seeing pictures of horribly dressed people in Walmarts. I’ve actually never been in a Walmart. Not even the parking lot. I’ve heard they are vast and full of Winnebagos, those parking lots. Never been in a Costco either. Costco weirds me out. Like Scientology for shoppers. Even the parking lot is disturbing. I have a whole paranoid story about a Costco parking lot I never finished [I did, later.] I have been to Wall Drugs. Bought some socks. Waited for the dinosaur to wake up. Saw more socks. They wear a lot of socks in South Dakota. And while I know you can get socks cheaper at Costco, I don’t need five hundred socks. As for Walmart, do they even wear socks in there? The customers, I mean. From all the pictures you can’t really tell. Maybe they wear just one. Maybe three.

Incidentally, I googled “Walmart socks” for a picture to put here. A bunch of pictures of socks, and people wearing socks, and a really angry meme that says No clean socks, buys new socks at Walmart. That mystified me. Then I googled “Walmart parking lot” for a picture to put right here. Most were just pictures of big parking lots. One a big parking lot with a chicken. Several parking lots with weirdos. Strange vehicles. A burro. Some cars on fire. Police. An Elvis impersonator. Two babes in bikinis, sunning. I thought about using that one, but nah.

I also stumbled onto a really angry tee shirt that reads Wal-Marx with a hammer and sickle, the whole bit. Apparently some anarchists call it that, Wal-Marx. Some Tea Party types call it that, too. Both also call it fascist. Just how confused are people anymore? What’s wrong with calling it an old fashioned monopolistic union busting creepy giant company? That’s what it is. What’s with the inane and utterly meaningless ideological nomenclature? Do they think it makes them look smart? It doesn’t. Just deluded. Out of it. Detached from reality. One hates to say stupid. I mean even if it’s ironic, it’s stupid. Irony doesn’t work with a sledgehammer.

What the hell, here’s the parking lot babes. At least they’re accomplishing something.

Walmart parking lot bikini babes. And you thought it was all old people in winnebagos.

Walmart parking lot bikini babes.

Summer of Love

The Reluctant Astronaut is on. Some channel is having a Don Knotts marathon. (The Ghost and Mr. Chicken is next, but I’m not in the mood for gothic horror.) I remember seeing The Reluctant Astronaut at a Saturday matinée in Woodbury, New Jersey.  And I remember thinking it wasn’t the most exciting science fiction movie I’d ever seen, but at ten, perhaps I was already too sophisticated. This was the same theater where a couple months later Son of Flubber caused a riot. Perhaps the kids knew it wasn’t a first run picture in that Summer of Love in 1967. Perhaps we were just blowing off steam. Perhaps we just wanted to die before we got old. Whatever, it sure pissed off the manager. He turned off the projector, turned on the house lights and stormed on down to the front of the theater and glared at us. If we didn’t stop running and shrieking and throwing popcorn he’d kick us all out and there would be hell to pay when our parents came to pick us up. The place grew quiet, the hail of popcorn subsided. That’s better, he said, and the lights came down, the film came on, and there was Fred MacMurray again, Professor Ned Brainard, turning people on to flubber, and everyone was bouncing and floating and high as a kite. Feed your head, Ned said, feed your head, and the kids laughed and shrieked and the popcorn came down like rain.

Miles Davis

(from a Brick’s Picks in the LA Weekly, 2010)

Miles Davis. Maybe you’ve heard of him. Colombia Records is just making sure.  They’ve repackaged everything He did for them, then repackaged the repackages, finally they stuck all the repackages into a trumpet case and are selling it for a jillion dollars. One of those way limited editions that millionaire jazz fans just have to have. Not even critics get that thing. They’d probably just sell it to Amoeba anyway. Critics do get invited to the fancy release parties though. Free food, free booze, free respect. Colombia and the Miles Davis Estate do these things up good. The Bitches Brew one was atop a fancy Beverly Hills hotel. Rooftop, baby. Look at all those rich people way down there. They had live Miles projected on the side of a building and he was like a dozen feet tall. A giant, huge Miles. A young hippie-ish Chick Corea was mad on the keys, and Wayne Shorter was so rad. If you stood just right the light reflected on the glass wall surrounding the roof and a gigantic mega-Wayne Shorter loomed over the Hollywood Hills, blowing crazy saxophone. A sky god. Unstoned, it looked cool. It might have been terrifying stoned. The thing is, though, that Wayne does not loom vast over the city. Not even Miles does.  That’s why they were throwing this big bash. So we’d tell you about this new Bitches Brew reissue that we’ve had in the changer here now for weeks. It’s a good one, people. Real real good. But we wish this stuff did loom over American culture like that giant Wayne Shorter. And that music meant as much to people nowadays as it did a generation ago. Oh well. Those were different times. The poets, they studied rules of verse, and the ladies, they rolled their eyes.

[Yes, the last couple lines there were copped from Lou Reed’s “Sweet Jane”….]

They don’t have goons at the Philharmonic

Was at the Hollywood Bowl yesterday for the L.A. Phil’s press party. The spread is onstage in the bandshell. Food, drink, reporters, musicians, hustlers, hangers on, sundry rich people, a lotta suits and some nice legs even. Gustavo Dudamel is really little. Maybe 5’6″. I’d seen him milling about in  the mix last night, just another fast talking kid scamming on the free grub/drinks because he works in the mail room of an advertising company or something. Lucky for me I didn’t smack his hand down when he reached for the purple potato wedge things. His goons would have been on me in a second.  Well, they don’t have goons at the Philharmonic. Unless those little gay kids are goons. And Dudamel isn’t gay. I was stereotyping. You can do that with that crowd. Or maybe I’ve just been around Hollywood too long.

The potatoes were purple, though. Weirdest food was the gazpacho in a spoon. Big white spoons with a big mouthful of gazpacho in each. You take a spoon off the silver tray the silent, expressionless waiter holds out for you, slurp the thing down, and then put the slurped spoon down on a tray another silent, expressionless guy holds out for you. It was one of those revoltingly decadent things, a silent servant  holding a spoon for you to slurp, something out of the Last Emperor, maybe, or like the French Revolution never happened. I slurped but felt guilty about it. I mean imagine that gig—you’re the guy who holds the slobbered spoons tray. He probably was an actor. They all looked like it, the waiters/waitresses. All handsome or pretty, the girls in the same outfits as the guys—black pants and shirts and a bright pink or yellow tie. Maybe they were color coded. I didn’t notice what color tie the slobbered spoon guy had on. I doubt anyone else did either. I doubt they noticed him at all.

I wonder if a generation ago people held out spoons for people to slurp. I doubt it. I think that’s something new. And I think it says a lot.

(2010)

Italians

(email, 2009 or so)

The wine flowed, all delicious Italian varieties. I just asked for something red and then something else red and then—I had three—something red again. They were all tasty. The guy read me the name off the bottle each time but I had forgotten it by the time I nodded “oh”.

The hors d’oevres were the best I’ve ever had and the little waiter guys with the trays kept bringing them on. Got stuffed on little mouthfuls. Trout caviar is delicious. We snuck away from the schmoozing and wandered about the grounds, very nice, very unassuming. You weren’t supposed to know who was inside doing whatever things rock stars do that they don’t want known. There’s a secret entrance for the Madonnas and the like. Bars everywhere, pool side, on both sides of the lobby, everywhere you looked there were people sitting with drinks and chatting their heavy significant chats or giggling as champagne tickled their noses. There was a singer I had heard on the event’s website who really intrigued me, a soul sort of thing, and as I had mentioned it to the publicist. Suddenly she, her producer, and some unidentified others were ushered into my august presence. We had a nice chat. Turns out she was the evening’s entertainment and I was very impressed. They were thrilled and whispered about it in Italian. I was talked into attending the fancy concert at the Fonda on Saturday where she’ll be performing with half a dozen other Italian acts. Full band this time. The backstage will have gourmet Italian grub and wine, they emphasized. Bring your dear wife. I wasn’t sure if I was open that night and hemmed and hawed a bit and said yes (one always hems and haws a bit). The publicist restrained a squeal and the Italians smiled and whispered among themselves. The singer, thank god, speaks fluent English, well, is in fact an American raised in Italy so I guess she got on the bill on a technicality. Afterward the hotel manager overheard that I was from the LA Weekly and I was snatched away to join a tour of the hotel’s recording studio beneath the pool. Very nice.  Madonna had just been there. Joe Perry that very day. His amp was there. We weren’t allowed to touch it. After the Italians wandered back up to the bar left we stayed a bit and talked studio business and recording techniques and music stuff.  They were thrilled to have a real live LA Weekly guy in their studio. I mean, there were a couple other journalists at the party, actually, there, all from tiny little monthly rags, none of whom were on the tour. I mean puhleez……

Alas the end of the night was drawing nigh, and I had to scurry off to my beautiful Buick Lucerne before it turned into a pumpkin and me into an office worker again.