Glass enclosure

Bud Powell backstage, Paris, 1959. Astonishing photograph. Jon Mayer posted this, sent to him by a fan who’d snapped the pic a half century before. Bud and Mayer shared the bill, Bud doing a set, then Jon, then Bud, then Jon. Now one of LA’s best jazz pianists, Jon Mayer was a young kid in from NYC and on top of his game, ideas coming at the speed of light, fingers flying. Bud Powell was good then too, but epileptic and post-electroshock therapy. He probably looked out on a world in two dimensions that never quite connected, un poco loco, wondering how much he had forgotten.

bud-powell

 

The Arrival

Movie nite at Chris P’s last night. The Arrival, which I dug muchly, though at the nerdiest part of the whole picture the characters were discussing the Sapir-Whorf hypothesis and I realized to my silent dismay that not only was I familiar with the Sapir-Whorf hypothesis but I know who (as opposed to what) Sapir-Whorf were (the former was the only other person in the world who could converse with Ishi in his native tongue, the latter was in the insurance business, like a linguistic Wallace Stevens). Even worse on the nerd scale, the book I’m completely absorbed in currently also discusses the much maligned but recently revived in some circles Sapir-Whorf hypothesis, making Noam Chomsky so mad you wouldn’t believe it. Basically, do not get stuck sitting next to me at a dinner party. As the film went on it was obvious that neither the story’s author nor the screenwriters were Chomskyan, and Chomsky himself would have gone transformationally grammatically/ideologically apeshit at the vaguely hippieish blend of linguistic relativism and Sino-fascism. Not that he would ever bother to see the film. He’d send some grad students.

Personally, though, I dug it. The last time I saw linguistics in science fiction it was a cookbook.

arrival